Schoenberg's "Moses und Aron" and the judaic ban on images
Identifieur interne : 002348 ( Main/Exploration ); précédent : 002347; suivant : 002349Schoenberg's "Moses und Aron" and the judaic ban on images
Auteurs : Leora Batnitzky [États-Unis]Source :
- Journal for the study of the Old Testament [ 0309-0892 ] ; 2001.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
This article argues that Schoenberg's monumental opera Moses und Arm reflects a broader German-Jewish concern with the philosophical meaning of the Second Commandment and its relation to German-Jewish identity. By way of the aesthetic theory of the German-Jewish philosopher Hermann Cohen, the article analyzes Moses und Aron and suggests that Cohen's theory offers a context through which to understand the philosophical and cultural underpinnings of Schoenberg's music and drama. The article concludes with a brief discussion of the social and political milieu in which Moses und Aron was created and its implications for understanding Schoenberg's and the German-Jewish intellectual struggle for identity.
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Le document en format XML
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